Saturday, July 8, 2017

Vincent van Gogh at Saint-Paul-de-Mausole asylum near Saint-Rémy-de-Provence

Vincent van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, many of them in the last two years of his life.

Saint-Paul-de-Mausole seen below, lies just outside of Saint-Rémy-de-Provence, about one hour southwest of Sablet. Mentioned on several occasions by Nostradamus, who was born nearby and knew it as a Franciscan convent, it was originally an Augustinian priory dating from the 12th century, and converted into an asylum in the 19th century.

A well-preserved set of Roman ruins known as les Antiques, the most beautiful of which is le Mausolee, adjoins the property, and forms part of the ancient Graeco-Roman city of Glanum. The asylum is located in an area of cornfields, vineyards and olive trees.

Saint-Paul-de-Mausole asylum

Exterior grounds near the entrance to Saint-Paul-de-Mausole asylum

Vincent Van Gogh arrived on May 8, 1889 at Saint-Paul-de-Mausole in Saint-Rémy-de-Provence after an incident in which he cut off his ear, to voluntarily commit himself to the asylum and remained there for just over a year until May 16, 1890.

He had suffered a series of severe breakdowns since December 1888 and believed he should be institutionalized for his own sake and that of others.

Statue of Vincent van Gogh by sculptor Gabriël Sterk near entrance to Saint-Paul-de-Mausole asylum

Cloister Corridor with arcades of twinned columns

The main building at Saint-Paul-de-Mausole is centered around its lovely Romanesque cloisters (pictured below) lined with rambling roses and lavishly planted with begonias and other flowers. Part of the Saint-Paul complex remains a psychiatric institution and still accepts patients (female only).

Cloister garden

Stairway lined with paintings to Van Gogh's room on upper floor

Corridor leading to Van Gogh's room

Vincent van Gogh's bedroom (pictured below) was sparsely furnished with an austere single bed, easel, wooden chair, desk, battered leather bag and a barred window looking out on to a kitchen garden and wheat fields which he painted 15 times.

Vincent van Gogh's bedroom at Saint-Paul-de-Mausole asylum

Vincent van Gogh's studio which adjoined his bedroom

Vincent van Gogh's treatment at Saint-Paul-de-Mausole was rudimentary – limited to two-hourly baths twice a week, a frugal diet and managing to stop his intake of alcohol, coffee and self-harming consumption of turpentine and paint.

Tubroom at Saint-Paul-de-Mausole asylum

Bedroom in Arles (seen below) is the title given to each of three similar paintings by Vincent van Gogh. Van Gogh's own title for this painting was simply The Bedroom. There are three authentic versions described in his letters, easily discernible from one another by the pictures on the wall to the right.

The painting depicts Van Gogh's bedroom at 2, Place Lamartine in Arles, known as the Yellow House. The door to the right opened on to the upper floor and the staircase; the door to the left was that of the guest room he held prepared for a friend; the window in the front wall looked on to Place Lamartine and its public gardens.

Bedroom in Arles

He was initially confined to the immediate asylum grounds and painted (without the bars) the world he saw from his room. After a few weeks being there, he was granted permission to work outside the asylum and ventured into the countryside to paint. He was productive and sent most of his work to his brother Theo.

As you stroll around the garden seen below, you can view more than 20 large-scale reproductions of Vincent van Gogh’s most famous paintings on the site where they were created.

View from Vincent van Gogh's window

During his time at Saint-Paul-de-Mausole, he finished over 150 drawings and 143 paintings of his surroundings over all four seasons of the year. They include some of his best known works such as Irises, Wheat Field with Cypresses, The Siesta and The Starry Night.

View over lavender field toward Saint-Paul-de-Mausole asylum

Vincent van Gogh seemed for a while to be recovering, but he suffered a relapse in early 1890 and in May 1890, moved north to Auvers sur Oise to be near his brother, Theo, and a new physician, Dr. Paul Gachet. Only two months later, on 29 July 1890, Vincent van Gogh took his own life at the age of 37.

Iris field outside Vincent van Gogh's room at Saint-Paul-de-Mausole asylum

During his lifetime Vincent van Gogh was never famous as a painter and struggled to make a living as an artist. He only sold one painting during his lifetime, "The Red Vineyard". This painting sold in Brussels for 400 Francs a few months before his death (about $1800 in 2011) to the impressionist painter and heiress Anna Boch.

Since his death, he has become one of the most famous painters in the world. Van Gogh’s paintings have captured the minds and hearts of millions of art lovers. Seven of his paintings are among the highest priced sales on record and alone sold for over 730 million current dollars.

Flower carving on wall of Cloister

There are no original works by Vincent van Gogh to be seen at Saint-Paul-de-Mausole. But you will find plenty of reproductions and, as a nice extra to the visit, you can take a self-guided walk from Saint-Paul to Saint-Rémy-de-Provence. The route is peppered with 21 illustrated panels, with short explanations in English and French comparing Vincent van Gogh's visions directly with the real landscapes that inspired him.

Tuesday, June 27, 2017

Visit to Aix-en-Provence, City of a Thousand Fountains

As I have written previously, one of our favorite towns is Aix-en-Provence. The capitol of Provence in the middle ages, it is located about one hour and 15 minutes from our home in Sablet. Cousin Annick lives in a nearby village. One morning a few months back, we headed there with our friends from Windsor to visit the historic center of Aix.

Aix-en-Provence is famous for its outdoor markets, shopping and beautiful people, and as the home of Paul Cézanne (1839-1906) who lived and did most of his work here. Unusual for Provence, there are no ancient historical sights to see.

Aix-en-Provence has long been a university town: Louis II of Anjou granted a royal charter for a university way back in 1409. The 40,000 students studying at the many teaching and research institutions today give the town a youthful energy.

Aix-en-Provence is often referred to as the city of a thousand fountains (a slight exaggeration). The construction of the Rotunda fountain in 1860 at the end of Cours Mirabeau was unusual for Aix-en-Provence because of its size and because it was the first to have a water basin.

Three statues: Justice, Agriculture and Fine Arts adorn the fountain and recall the main activities of the town. The fountain is at the former Porte Royale, for centuries the main entrance to the town.

Rotunda fountain

Even though it was early in March, it was a beautiful day and the town was full of people including these street musicians seen below.

Street musicians

The Cours Mirabeau is one of the most beautiful boulevards in the South of France. Created in 1650, it is one of the most popular and lively places in Aix-en-Provence. 440 meters long (1444 feet) and 42 meters wide (138 feet), it is lined with cafés, one of the most famous being Les Deux Garçons.

The plane-tree shaded Cours Mirabeau divides Aix into two parts, the Quartier Mazarin, or "new town", which extends to the south and west, and the Ville Comtale, or "old town", which lies to the north. The Cours Mirabeau is decorated by four fountains, the most impressive of which is La Rotonde, a large fountain that functions as a roundabout at one end of the street.

Cours Mirabeau

Street musician

As I said, Cours Mirabeau is lined on one side with banks and on the other with bookstores and cafés with tables that spill out onto the sidewalk, one of which is Les Deux Garçons, (I told you about eating therehere) the most famous brasserie in Aix. Built in 1792, it has been frequented by the likes of Paul Cézanne, Émile Zola and Ernest Hemingway.

Les Deux Garcons

At the top of Cours Mirabeau is a 19th century fountain seen below which depicts the "Good King" René holding the Muscat grapes that he introduced to Provence in the 15th century.

"Good King" René

Le Millefeuille Restaurant is where we headed for lunch. The restaurant is run by two veterans of l'Oustau de Baumanière, the well regarded restaurant with two Michelin stars in Les Baux de Provence.

Le Millefeuille Restaurant

The fountain at Place des Prêcheurs (Preacher's Square) seen below was built in 1748, destroyed in 1793, and rebuilt in 1833, thanks to American philanthropy.

Aix-en-Provence fountain at Place des Prêcheurs (Preacher's Square)

In front of the Palace of Justice is Place des Prêcheurs (Preacher's Square). Created in the 15th century by King René, it was the center of life in Aix-en-Provence until the construction of Cours Mirabeau. This area is undergoing a major renovation that will bring together Places Verdun, Prêcheurs and Madeleine.

Mechanical clock from 1833 at Place des Prêcheurs (Preacher's Square)

One of the many pedestrian streets in the historic center of Aix-en-Provence

The former prison of Aix-en-Provence built between 1825 and 1832 seen below was converted in 1998 to a legal center that now houses the Court of Appeal, the present Monclar Palace.

Former prison in center of historical Aix-en-Provence

We always pay a visit to Marie-Hélène who owns La Victoire with her husband Philippe, the store where we purchased all our fabric for the table cloths, curtains and place mats we used at our Bistro Des Copains. This is not a tourist shop but a real fabric store. They have rolls and rolls of pretty Provençal fabrics, table cloths, place mats, and table runners. The store has been in business since 1918.

La Victoire (a fabric store)

The Hôtel de Ville (town hall) seen below, a building in the classical style of the middle of the 17th century, looks onto a picturesque square (Place de l'Hôtel de Ville). At its side, rises the clock-tower erected in 1510.

Hôtel de Ville (town hall)

Aix-en-Provence Hôtel de Ville (town hall)

The 16th century clock tower at Place de l'Hôtel de Ville. The tower has two clock faces: a typical one and an astronomical clock from 1661 whose four wooden statues can still be seen: they symbolize the seasons, and appear in turn.

Aix-en-Provence clock tower

Aix-en-Provence hosts open-air markets several mornings a week: there is a produce market daily at Place de Richelme, flea markets Tuesday, Thursday and Saturday at the Palace of Justice, flower markets on Tuesday, Thursday and Saturday at Place de l'Hotel de Ville as well as a book market on the first Sunday of each month.

The city's old belfry seen in the distance, straddles the street on Roman bases.

Marseille soap or Savon de Marseille is a traditional hard soap made from vegetable oils that has been produced around Marseille, for about 600 years. The first documented soapmaker was recorded there in about 1370. They are nice to take home and make great gifts.

Shop selling the famous soap made in Marseille

Aix-en-Provence is known for their Calissons. Calissons are a traditional candy consisting of a smooth, pale yellow, homogeneous paste of candied fruit (especially melons and oranges) and ground almonds topped with a thin layer of royal icing. Calissons have a texture not unlike that of marzipan, but with a fruitier, distinctly melon-like flavor. Calissons are often almond-shaped and are typically about two inches in length.

Calissons shop

The Hôtel Estienne-de-Saint-Jean seen below was built in 1671. In 1932, it was converted to the Museum of Old Aix which is the town's history museum. The collections, established from donations by the museum's founder, Marie d'Estienne de Saint Jean, evoke the history and traditions of Aix in the setting of a beautiful aristocratic home.

You can see furniture, earthenware, figurines, objects from the guilds of craftsmen as well as lifelike nativity crib puppets.

Carved door entrance to Hôtel Estienne-de-Saint-Jean

The historical town of Aix-en-Provence has more than 60 religious statuettes strategically placed at the corner of streets leading into an oratory: there are mostly Virgin statues dating from the 17th to the 19th centuries as well as a few other Patron Saints such as St Roch.

Statuette of Madonna on corner of building

Fountain of Espéluque is located at Place of the Martyrs of the Resistance. Created for the chapter of the cloister, it was given to the residents and then moved in 1750 against a Roman wall to facilitate circulation. Dating from 1618, it is the oldest fountain of the city from that period of time. Its name came from a certain Espeluca who was apparently the owner of the spring. The water comes from an underground cave, the only source of water of the 15th century.

Fountain of Espéluque

The memorial seen below honors the members of the resistance of Aix-en-Provence who were deported or executed during the Second World War. It also commemorates the more than 2000 Jews of which 100 were children who were deported to the Auschwitz concentration camp.

Memorial to the Martyrs of the Resistance and Jews deported to Auschwitz

The Cathédrale St-Sauveur (Holy Savior Cathedral) seen below has an eclectic mixture of styles from the 5th century to the 17th century.

Cathédrale St-Sauveur (Holy Savior Cathedral)

Typical side street in the historical part of Aix-en-Provence

In Provençal dialect, “Fontêtes” means “small fountains” and indicates that water flows abundantly here. The waters of the hidden springs were collected in a common well that has since been replaced with the current fountain seen below.

Baroque fountain at Fontêtes Place

Statuette of Madonna and Child

The fountain seen below carries the name of a 20th century artist and sculptor by the name of Séraphin Gilly.

Fontaine Gilly

The clocher des Augustins (Augustine bell tower) seen below stands over busy Rue Espariat; it's the only remnant from the old Augustinian convent which was built about 1292. The iron belfry was added in 1677.

Augustine bell tower

The fountain seen below is one of four in Aix-en-Provence to have kept its water coming directly from springs. It was designed by Bessain and built in 1820. On a stone base, a circular basin is surmounted by a Roman column (a remnant of the former Count’s Palace) topped by a 12 pointed-star in brass.

Fountain at Place des Augustins

Shirley and I had a wonderful day in Aix-en-Provence with Windsor neighbors Bob, Darlene, Ed and Gwen. As you can see from the pictures, the sun was shining and the sky had that special blue color that is so typical of Provence.

Lunch was very good at Le Millefeuille. If you are planning a visit to Aix, you would be happy you dined there. I would recommend reservations.

Friday, June 23, 2017

A visit to Nîmes, the "Rome" of France

As I have shared before, we try to find opportunities to hook up with our cousins who live near Montpellier in someplace mutually convenient for them and us. So one Saturday, a few months back, neighbors Bob, Darlene, Ed and Gwen in tow, we headed to Nîmes to meet up with them for lunch.

Nîmes has a very long and rich history, dating back to the Roman Empire when the city was home to between 50-60,000 people. There are several famous monuments, such as the Nîmes Arena and the Maison Carrée and because of this, Nîmes is often referred to as the French Rome.

The town derives its name from a spring in the Roman village. The Nîmes coat of arms depicts a crocodile chained to a palm tree with the inscription COL NEM, for Colonia Nemausus, meaning the "colony" or "settlement" of Nemausus, the local Celtic god. Roman legion veterans who served under Julius Caesar on his Nile campaigns were given plots of land around Nîmes to cultivate after fifteen years of soldiering.

Saint Paul church seen below was built between 1835 and 1849 in Neo-Romanesque style by Charles Questel, and classified as a historical monument in 1909. The organ was built in 1848.

Saint Paul Church

The Maison Carrée (Square House) seen below, is the best preserved of the Roman temples still standing. It was built under Augustus' (late 1C BC) reign and inspired by the Temple of Apollo in Rome.

Maison Carrée

Consecrated to the imperial cult and dedicated to Augustus grandsons, the temple faced the forum and was surrounded by a portico of finely carved columns.

Maison Carrée

Maison Carrée sits on a 2.85 meter high podium, it forms a rectangle almost twice as long as it is wide, measuring 26.42 meters by 13.54 meters. A large door (6.87 meters high by 3.27 meters wide) leads to a surprisingly small and windowless interior, where the shrine originally was. This now houses a tourist oriented film on the Roman history of Nîmes.

Maison Carrée

The Maison Carrée inspired the neoclassical Église de la Madeleine in Paris, St. Marcellinus Church in Rogalin, Poland, and in the United States, the Virginia State Capitol, which was designed by Thomas Jefferson, who had a stucco model made of the Maison Carrée while he was minister to France in 1785.

Maison Carrée

Saint Paul Church

Nîmes street

The Arena of Nîmes is a twin to the arena in Arles, most likely from the same period (late 1c - early 2c), an excellent example of the perfection attained by Roman engineers in designing and constructing extremely complex building. It demonstrates perfect symmetry: oval-shaped, it measures 133 meters long and 101 meters wide, with an arena of 68 by 38 meters.

From the exterior, you see two floors, each with 60 arches, 21 meters in total height, topped with an attic. At the top, pre-drilled stones were positioned to overhang so that long poles could be hung over the arena. A huge canvas canopy was then attached to these poles, thereby providing protection for the spectators against the sun and bad weather.

Arena of Nîmes

In Roman times, the arena could hold 24,000 spectators spread over 34 rows of terraces divided into four separate areas or maeniana. Each was accessed via a gallery and hundred of stairwells and passages called vomitories. This clever arrangement meant that there was no risk of bottlenecks when the spectators flooded in.

The arena was designed so that everyone had an unrestricted view of the whole arena. Several galleries were located beneath the arena, and were accessed by trap doors and a hoist-lift system. As a result, the decorative effects, animals and gladiators could access the arena during the games.

Interior of Nîmes Arena

The arena was remodeled in 1863 to serve as a bullring. The arena of Nîmes is the site of bullfights during the Ferias de Nîmes, a popular festival centered on Spanish-style bullfighting held twice each year in Nîmes, the 1st Feria from Wednesday before Pentecost to Pentecost Monday and the 2nd Feria on the third Friday, Saturday and Sunday of September.

View from arena through an arch entryway

The exits from the arena were called vomitorias because they permitted the crowd to exit the arena in a speedy manner.

Arena Vomitory

Arena Vomitory

The Lycée (high school) Alphonse-Daudet seen below was constructed in the 16th century as a hospice

Lycée (high school) Alphonse-Daudet

View of Lycée Alphonse-Daudet from the arena

Construction for Sainte-Perpétue et Sainte-Félicité de Nîmes church (the tower can be seen in the distance below) began in 1852. The first stone was laid by Louis-Napoléon Bonaparte. Construction was completed in 1854.

Interior of arena with view of Sainte-Perpétue et Sainte-Félicité de Nîmes church in the distance

The Nîmes Cathedral (Its formal French name is the "Cathédrale Notre-Dame-et-Saint-Castor de Nîmes") seen in the distance below is a Roman Catholic church dedicated to the Virgin Mary and to the local Saint Castor of Apt. The cathedral is the seat of the Bishops of Nîmes, Uzès and Alès.

The Nîmes Cathedral was built in 1096, suffered major damage during the Wars of Religion and was almost entirely rebuilt in the 19C. The cathedral is believed to stand on the site of the former temple of Augustus. It is partly Romanesque and partly Gothic in style.

View of the Nîmes Cathedral from the top row of the arena

The Tour Magne seen below in the distance sits on top of Mont Cavalier, the highest point in Nîmes. It is a vestige of the defenses built around the town. It is a 3-story polygonal tower 112 feet tall.

View of Tour Magne from the top of the arena

Interior walkway around the Nimes arena

Nîmes arena

Shirley with cousins Christine and Matthias and his friend Aurelie

Saint Paul Church

View of Sainte-Perpétue et Sainte-Félicité de Nîmes church in the distance

In case you are going to Nîmes and need a restaurant suggestion, we had an excellent lunch at Aux Plaisirs des Halles seen below, a restaurant designated as a Bib Gourmand by Michelin.

Aux Plaisirs des Halles

If you have time, besides the places I have highlighted in this post, you should plan to visit the Jardins de la Fontaine, 18th-century gardens in Nîmes, built in 1745 near the former western defensive ramparts of the city.